The Matrix of Photomechanical Reproductions: Histories of Remote Access to Art
Accessing art remotely: digital reproductions enable today what was once possible solely by means of photomechanical reproductions. How did reproductions featured in art journals from 1900 to 1950 expand the way art was accessed and experienced? What new insights does this history open into remote access to art in the digital age?
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Advertisement for the Hollar journal, in "Co dělá Hollar", Umění, vol. 9, no. 9-10, p. 12.